Andrew Goodwin

Andrew Goodwin has appeared with opera companies and orchestras in Europe, Asia and Australia including the Bolshoi Opera, Gran Theatre Liceu Barcelona, Teatro Real Madrid, La Scala Milan, Opera Australia, Pinchgut Opera, Sydney Chamber Opera, St. Petersburg Philharmonic, Auckland Philharmonia, the New Zealand, Sydney, Melbourne, Queensland, Adelaide and Tasmanian Symphony Orchestras, Moscow and Melbourne Chamber Orchestras, Sydney Philharmonia Choirs, and in recital with pianist Daniel de Borah at Wigmore Hall, the Oxford Lieder, Port Fairy and Canberra International Music Festivals.

Recent engagements include Lysander, A Midsummer Night’s Dream (Adelaide Festival); Canberra International and Sanguine Estate Music Festivals; Jacquino, Fidelio (West Australian Opera); Nadir, The Pearlfishers (State Opera South Australia); Diary of one who disappeared and Rape of Lucretia (Sydney Chamber Opera); Artaxerxes title role, Egeo in Cavalli’s Giasone and Florival in Grétry’s L’amant jaloux (Pinchgut Opera); Berlioz L’Enfance du Christ and Mozart Requiem (MSO); Brett Dean’s The Last Days of Socrates and Mozart Litaniae de venerabili altaris sacramento (SSO); Messiah (Sydney Chamber Choir, NZSO, QSO and MSO); Bach Magnificat and The Rake’s Progress title role (Auckland Philharmonia Orchestra). Andrew is also a founding member of the new Australian Vocal Ensemble, AVE.